Spend some time this Labor Day weekend listening to David “Fathead” Newman’s 2009 album, The Blessing. The album features nine tracks, including:
- Someone to Watch Over Me
- As Time Goes By
- Manha de Carnival
- Romantic Night
- Chelsea Bridge
- Whispers of Contentment
Accompanying Newman’s tenor saxophone work on the album were:
- Bass –
- Drums –
- Executive Producer –
- Flute –
- Guitar –
- Piano –
- Producer – ,
- Vibraphone –
The album was released by HighNote Records after being recorded at Van Gelder Studio in Englewood Cliffs, New Jersey. This was Newman’s last album, as he passed away shortly after recording. RIP
More on David “Fathead” Newman from All About Jazz:
David “Fathead” Newman was born in Corsicana, Texas on February 24, 1933. His family soon moved to Dallas, where they settled and David stayed through graduating Lincoln High School. After school, David found gigs in local bands. He received a scholarship to Jarvis Christian College where he studied theology and music.
After two years of college, David decided to go on the road full time with Buster Smith (Charlie Parker’s mentor). The band played lots of one-nighters and dance halls, touring Texas, Arkansas, Oklahoma, and sometimes California. On one of those tours, David met Ray Charles.
Ray was working as a sideman with another group on the night’s roster. They immediately bonded, both musically and as friends. When Ray started his own band, he called on David to be part of his group. In 1954, David began a twelve year association with the Ray Charles Band. David began as the baritone player and soon became the star tenor soloist.
In 1959, David recorded his first album as a leader titled, “Fathead: Ray Charles Presents ‘Fathead'” on Atlantic records. It included Newman’s dramatic and now famous rendition of Hard Times.
He returned to Dallas for a short time and led his own bands. Then he moved to New York City where his career took off in many directions.
Newman recorded many albums for Atlantic records, as well as Warner Brothers and Prestige. During this time in NYC, David gigged with Lee Morgan, Kenny Drew Sr., Billy Higgins, Kenny Dorham and so many other of the great jazz musicians hanging out on the New York scene. He gigged around the East Coast with his own quartet and soon began touring Europe and Japan as a leader.
As a studio musician he was very busy working on lots of recording projects with the likes of Herbie Mann, Aretha Franklin, Hank Crawford, Aaron Neville, to name a few. After meeting at a studio session, David joined forces with Herbie Mann during “The Family of Mann” era. Cal Tjader (later Roy Ayres) were part of this outstanding group.
It was now time for David Newman to focus on his personal choices and let the public know more about the music that he chose to play. In 1980, Newman, determined to pursue his own musical identity, recorded several mainstream jazz albums for the Muse label. Artists such as Cedar Walton, Jimmy Cobb, Buster Williams, Louis Hayes, and other fine NY musicians, helped round out the rhythm sections.
David returned to Atlantic Records in the late eighties to record several albums. One of he recordings was done live at the Village Vanguard in NYC, featuring Stanley Turrentine and Hank Crawford.
Newman’s next recordings were on the Kokopelli label. This was a new label owned by Herbie Mann. David recorded a beautiful CD in tribute to Duke Ellington, titled Mr. Gentle, Mr. Cool. David produced the next one on Kokopelli, titled Under A Woodstock Moon.
The late nineties brought David to the High Note label where he recorded six successful CDs. A memorable recording “I Remember Brother Ray,” was released in January 2005 and became the #1 Most Played Jazz Album nationwide.
David Newman has appeared on many television shows including Saturday Night Live, David Sanborn’s Night Music, David Letterman, and various featured news segments. David appeared in Robert Altman’s film Kansas City and did a national tour with the Kansas City Orchestra, for Verve Records.
David Newman was a musician’s musician. Whenever someone wanted to add something special to their own recording, they called ‘Fathead.’ Sadly,”The Blessing,”(2009 HighNote) was to be Newman’s last recording but it finds no decline in his creativity or his formidable chops. Ever the master, he leads a band of his friends and preferred sidemen in a fine session caught at the famed Rudy Van Gelder Studio. David Newman’s authoritative playing sums up a lifetime of experience and grants us a look at his final intensely personal thoughts on music and, by extension, life itself.
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